TIME ISN'T HOLDING UP

Time Isn’t Holding Up bears witness to the discursive actions and language occurring between the disparate practices of artists Emilie Wright and Steven Christie. The role of futility and the function of physical labour are explored through separate, repeated acts of erasure and deconstruction as they are

layered into monumental form. The resulting exchange is posited as an epitaph to deconstruction and the resistance of material traces, which ultimately find form in residual structures through their accumulation of volume and mass.